Published
2024-10-23
Section
Research Articles
License
The journal adopts the Attribution-NonCommercial 4.0 International (CC BY-NC 4.0), which means that anyone can reuse and redistribute the materials for non-commercial purposes as long as you follow the license terms and the original source is properly cited.
Author(s) shall retain the copyright of their work and grant the Journal/Publisher rights for the first publication with the work concurrently licensed since 2023 Vol.8 No.2.
Under this license, author(s) will allow third parties to download, reuse, reprint, modify, distribute and/or copy the content under the condition that the authors are given credit. No permission is required from the authors or the publisher.
This broad license intends to facilitate free access, as well as the unrestricted use of original works of all types. This ensures that the published work is freely and openly available in perpetuity.
By providing open access, the following benefits are brought about:
- Higher Visibility, Availability and Citations-free and unlimited accessibility of the publication over the internet without any restrictions increases citation of the article.
- Ease of search-publications are easily searchable in search engines and indexing databases.
- Rapid Publication – accepted papers are immediately published online.
- Available for free download immediately after publication at https://esp.as-pub.com/index.php/ESP
Copyright Statement
1.The authors certify that the submitted manuscripts are original works, do not infringe the rights of others, are free from academic misconduct and confidentiality issues, and that there are no disputes over the authorship scheme of the collaborative articles. In case of infringement, academic misconduct and confidentiality issues, as well as disputes over the authorship scheme, all responsibilities will be borne by the authors.
2. The author agrees to grant the Editorial Office of Environment and Social Psychology a licence to use the reproduction right, distribution right, information network dissemination right, performance right, translation right, and compilation right of the submitted manuscript, including the work as a whole, as well as the diagrams, tables, abstracts, and any other parts that can be extracted from the work and used in accordance with the characteristics of the journal. The Editorial Board of Environment and Social Psychology has the right to use and sub-licence the above mentioned works for wide dissemination in print, electronic and online versions, and, in accordance with the characteristics of the periodical, for the period of legal protection of the property right of the copyright in the work, and for the territorial scope of the work throughout the world.
3. The authors are entitled to the copyright of their works under the relevant laws of Singapore, provided that they do not exercise their rights in a manner prejudicial to the interests of the Journal.
About Licence
Environment and Social Psychology is an open access journal and all published work is available under the Creative Commons Licence, Authors shall retain copyright of their work and grant the journal/publisher the right of first publication, and their work shall be licensed under the Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).
Under this licence, the author grants permission to third parties to download, reuse, reprint, modify, distribute and/or copy the content with attribution to the author. No permission from the author or publisher is required.
This broad licence is intended to facilitate free access to and unrestricted use of original works of all kinds. This ensures that published works remain free and accessible in perpetuity. Submitted manuscripts, once accepted, are immediately available to the public and permanently accessible free of charge on the journal’s official website (https://esp.as-pub.com/index.php/ESP). Allowing users to read, download, copy, print, search for or link to the full text of the article, or use it for other legal purposes. However, the use of the work must retain the author's signature, be limited to non-commercial purposes, and not be interpretative.
Click to download <Agreement on the Licence for the Use of Copyright on Environmental and Social Psychology>.
How to Cite
Tai Chi training: An effective method to enhance the oneness of mind and body in dance performance
Yayun Jiang
1 Faculty of Applied and Creative Arts, Universiti Malaysia Sarawak, Kota Sarawak, 94300, Malaysia 2 Hunan Women’s University, Changsha, Hunan, 410004, China
Nur Qasdina Jeeta Abdullah
Faculty of Applied and Creative Arts, Universiti Malaysia Sarawak, Kota Sarawak, 94300, Malaysia
Nordiana Nordin
Faculty of Economy and Business, Universiti Malaysia Sarawak, Kota Sarawak, 94300, Malaysia
DOI: https://doi.org/10.59429/esp.v9i10.3124
Keywords: body awareness, creativity, dance performance, oneness of mind and body, perceptivity, Tai Chi training
Abstract
Since the nineteenth century, the primary goal of university dance programmes has been to enhance students' dance skills, while the development of artistic expression has been neglected. Tai Chi training has been shown to be an effective method of exercising the mind and body to enhance perceptivity and body creativity. However, there is still less research on its impact in teaching dance performance in universities. Therefore, this study aims to address two fundamental questions: (1) How does Tai Chi training affect students’ perceptivity and creativity in dance performances? (2) What are the specific effects of enhanced perceptivity and creativity on the state of dance performance? In order to answer these questions, this study utilized a qualitative research methodology involving 43 dance students from Hunan Women's University in China. The research methodology included a 10-week Tai Chi training program at Hunan Women's University in Hunan Province, China, and semi-structured interviews with participants. The findings reveal how Tai Chi training enhances dance students' perceptivity and creativity in dance performance and explains its effectiveness on the state of oneness of mind and body in dance performance. This exploratory study provides preliminary evidence for understanding the impact of Tai Chi training on mind and body awareness in dance and provides a basis for incorporating more mind and body exercises into dance education in the future.
References
[1]. Foster, R., & Turkki, N. (2021). EcoJustice Approach to Dance Education. Journal of Dance Education, 23(2), 91–101. https://doi.org/10.1080/15290824.2021.1906430
[2]. Hegna, H. M., & Ørbæk, T. (2024). Traces of embodied teaching and learning: A review of empirical studies in higher education. Teaching in Higher Education, 29(2), 420-441. https://doi.org/10.1080/13562517.2021.1989582
[3]. Zhang, L. (2019). The problems and solutions of dance education in universities. Open Journal of Social Sciences, 7(05), 240. https://doi.org/10.4236/jss.2019.75021
[4]. Li, M. (2023). Analysis of Dance Art Performance in Dance Education. Art and Performance Letters, 4(9), 80-85.
[5]. https://doi.org/10.23977/artpl.2023.040915
[6]. Hsia, L. H., Huang, I., & Hwang, G. J. (2016). Effects of different online peer-feedback approaches on students' performance skills, motivation and self-efficacy in a dance course. Computers & Education, 96, 55-71.
[7]. https://doi.org/10.1016/j.compedu.2016.02.004
[8]. Schino, G., van Klaveren, L. M., Gallegos González, H. G., & Cox, R. F. (2024). Applying bodily sensation maps to art-elicited emotions: An explorative study. Psychology of Aesthetics, Creativity, and the Arts, 18(3), 315.
[9]. https://doi.org/10.1037/aca0000444
[10]. Warburton, E. C. (2019). Dance pedagogy. The Bloomsbury companion to dance studies, 81.
[11]. Lou, M. (2021). Innovative Design of University Dance Course System Based on Big Data Analysis Technology. In International Conference On Signal And Information Processing, Networking And Computers (pp. 763-769).
[12]. https://doi.org/10.1007/978-981-19-4775-9_98
[13]. Meindersma, B. (2022). Dance/Movement Therapy Combined with Tai-chi as a Regulation Strategy for Children Who Have Experienced Trauma: Developing a Method.
[14]. Saumaa, H. (2022). Dance emotions. Integrative and Complementary Therapies, 28(3), 134-137.
[15]. https://doi.org/10.1089/ict.2022.29022.hsa
[16]. Xuan, J., On, L. K., & Cheang, S. C. (2021). Curriculum Standards, Content and Practice of Chinese Dance Teachers’ Higher Education Training. Date: 18-19 October2021, 22.
[17]. George, D. (2020). The Natural Body in Somatics Dance Training. Oxford University Press, USA.
[18]. Takamatsu, M. (1996). Analyses of the Concepts and Framework of T. Hanna's. Somatics. Journal of the Philosophy of Sport and Physical Education, 18(1), 21-32. https://doi.org/10.9772/jpspe1979.18.21
[19]. Fernandes, C. (2015). When Whole (ness) is more than the Sum of the Parts: somatics as contemporary epistemological field. Revista Brasileira de Estudos da Presença, 5, 9-38.
[20]. https://doi.org/10.1590/2237-266047585
[21]. Green, J. (2007). Student bodies: Dance pedagogy and the soma. In International handbook of research in arts education (pp. 1119-1135). Dordrecht: Springer Netherlands.
[22]. Aitken, A., Dobson, M., Ezcurra, M., Mitchell, C., & Strong-Wilson, T. (2018). The Arts in Curriculum: Aesthetics, Embodiment and Well-Being. Journal of the Canadian Association for Curriculum Studies, 16(1), 1-5. https://doi.org/10.25071/1916-4467.40370
[23]. Lovecky, D. V. (1986). Can you hear the flowers sing? Issues for gifted adults. Journal of Counseling and Development, 64(9), 572-575.
[24]. Hooper, S. E. (1941). Whitehead's philosophy: Actual entities. Philosophy, 16(63), 285-305.
[25]. https://doi.org/10.1017/S0031819100002564
[26]. Moroye, C. M., & Uhrmacher, P. B. (2012). Standards, not standardization: Orchestrating aesthetic educational experiences. Language Arts Journal of Michigan, 28(1), 13. https://doi.org/10.9707/2168-149X.1934
[27]. Runco, M. A., & Jaeger, G. J. (2012). The standard definition of creativity. Creativity research journal, 24(1), 92-96. https://doi.org/10.1080/10400419.2012.650092
[28]. Wang, Z. (2024). Evaluation of Creativity in Contemporary Dance in Terms of Audience Perception. Creativity Research Journal, 36(2), 234-244. https://doi.org/10.1080/10400419.2022.2107849
[29]. Malinin, L. H. (2019). How radical is embodied creativity? Implications of 4E approaches for creativity research and teaching. Frontiers in psychology, 10, 2372. https://doi.org/10.3389/fpsyg.2019.02372
[30]. Brodie, J. A., & Lobel, E. E. (2014). Dance and somatics: Mind-body principles of teaching and performance. McFarland.
[31]. Fong, A., & Askun Celik, D. (2023). Global Leadership Under Oneness: Connecting Conscious Parts to Conscientious Wholes. In Consciousness-Based Leadership and Management, Volume 2: Organizational and Cultural Approaches to Oneness and Flourishing (pp. 157-179). Cham: Springer International Publishing.
[32]. Dabir, A. A., & West, K. (2021, December). Vedic Perspective on the Mind-Body Problem. In Jijnasa-2021 International Virtual Conference (p. 42).
[33]. Panera, C. (2023). Embodying Heaven: The Ancient Philosophy of Dance in China. Journal of Daoist Studies, 16(16), 19-40. https://doi.org/10.1353/dao.2023.0001
[34]. Zafeiroudi, A. (2021). Intersections between modern and contemporary dance and yoga practice: A critical analysis of spiritual paths through body movement and choreography. Academic Journal of Interdisciplinary Studies, 10(4), 1-15. https://doi.org/10.36941/ajis-2021-0094
[35]. Kurnaedy, K. M. (2022). Our love affair with dance. FriesenPress.
[36]. Lin, Z. (2016). On Chinese Tai Chi culture: contemporary values and international communication. Asian Social Science, 12(10), 273-277. https://doi.org/10.5539/ass.v12n10p273
[37]. McGee, R. W. (2024). Tai Chi, Qigong and the Treatment of Breast Cancer. Biomedical Journal of Scientific & Technical Research, 54(3), 46024-46027. http://doi.org/10.26717/BJSTR.2024.54.008566
[38]. Wu, C. C., Xiong, H. Y., Zheng, J. J., & Wang, X. Q. (2022). Dance movement therapy for neurodegenerative diseases: A systematic review. Frontiers in Aging Neuroscience, 14, 975711.
[39]. https://doi.org/10.3389/fnagi.2022.975711
[40]. You, Y., Min, L., Tang, M., Chen, Y., & Ma, X. (2021). Bibliometric evaluation of global tai chi research from 1980–2020. International Journal of Environmental Research and Public Health, 18(11), 6150.
[41]. https://doi.org/10.3390/ijerph18116150
[42]. Wang, Z. (2020). A study on Yang Shi Tai Chi Chuan in Bartenieff Fundamentals Perspectives. Trans-, 8, 95-127.
[43]. Lin, J., Ning, S., Lyu, S., Gao, H., Shao, X., Tan, Z. & Chen, Y. (2024). The effects of different types of Tai Chi exercises on preventing falls in older adults: a systematic review and network meta-analysis. Aging clinical and experimental research, 36(1), 65. https://doi.org/10.1007/s40520-023-02674-7
[44]. Kuramoto, A. M. (2006). Therapeutic benefits of Tai Chi exercise: research review. WMJ-MADISON-, 105(7), 42.
[45]. Rampengan, D. D., Gunawan, F. A., Rampengan, J. A., Ramadhan, R. N., Iqhrammullah, M., & Yufika, A. (2024). Effectiveness of Tai Chi as a non-invasive intervention for mild cognitive impairment in the elderly: A comprehensive review and meta-analysis. Narra J, 4(1). https://doi.org/10.52225/narra.v4i1.724
[46]. Ma, X., & Jennings, G. (2021). “Hang the Flesh off the Bones”: Cultivating an “Ideal Body” in Taijiquan and Neigong. International Journal of Environmental Research and Public Health, 18(9), 4417.
[47]. https://doi.org/10.3390/ijerph18094417
[48]. Henning, M., Feng, X. J., Chen, Y., Moir, F., Krageloh, C. U., Hobson, J., & Webster, C. S. (2021). Mindfulness in tai chi chuan as practiced amongst higher education students with implications for health and learning: A narrative review. https://doi.org/10.21926/obm.icm.2104033
[49]. Chenail, R. J. (2012). Conducting qualitative data analysis: Qualitative data analysis as a metaphoric process. Qualitative Report, 17(1), 248-253. http://doi.org/10.46743/2160-3715/2012.1818
[50]. Kallio, H., Pietilä, A. M., Johnson, M., & Kangasniemi, M. (2016). Systematic methodological review: developing a framework for a qualitative semi‐structured interview guide. Journal of advanced nursing, 72(12), 2954-2965. https://doi.org/10.1111/jan.13031
[51]. Elliott, V. (2018). Thinking about the coding process in qualitative data analysis. Qualitative report, 23(11).
[52]. https://doi.org/10.46743/2160-3715/2018.3560
[53]. Yu, H. B., Chang, Y. H., Liao, P. Y., & Tsai, Y. S. (2018). Effect of Tai Chi Chuan training on main performance during dance movements. Biomedical Research, 29(13), 2690-2696.
[54]. Vidal, A. C., Montoya-Herrera, J., & Cano, R. P. (2022). The Ideographic Image of Tai Chi Chuan Movement score as a training resource for the actor. Kepes, 19(25), 223-256. https://doi.org/10.17151/kepes.2022.19.25.9
[55]. Cui, L., Tao, S., Yin, H. C., Shen, Q. Q., Wang, Y., Zhu, L. N., & Li, X. J. (2021). Tai Chi Chuan alters brain functional network plasticity and promotes cognitive flexibility. Frontiers in Psychology, 12, 665419.
[56]. https://doi.org/10.3389/fpsyg.2021.665419
[57]. Vintila, J. M. (2021). Emancipating the Dancing Body: Bridging the Interdependency of Aesthetic Theory with Separated Roles in Contemporary Dance to Solidify the Phenomenology of Creative Movement Causation.
[58]. http://hdl.handle.net/10315/38475
[59]. Ekweariri, D. (2021). Appreciation of Art as a Perception Sui Generis: Introducing Richir’s Concept of “Perceptive” Phantasia. Frontiers in Psychology, 12, 576608. https://doi.org/10.3389/fpsyg.2021.576608
[60]. Dou, X., Li, H., & Jia, L. (2021). The linkage cultivation of creative thinking and innovative thinking in dance choreography. Thinking Skills and Creativity, 41, 100896. https://doi.org/10.1016/j.tsc.2021.100896
[61]. Jaque, S. V., Thomson, P., Zaragoza, J., Werner, F., Podeszwa, J., & Jacobs, K. (2020). Creative flow and physiologic states in dancers during performance. Frontiers in Psychology, 11, 1000.
[62]. https://doi.org/10.3389/fpsyg.2020.01000
[63]. Sheets-Johnstone, M. (2024). Exploring the aesthetic uniqueness of the art of dance. In The New Yearbook for Phenomenology and Phenomenological Philosophy (pp. 256-278). Routledge.
[64]. Bastos, C. (2024). Yoga, emotion, and behaviour: becoming conscious of habitual social roles. Journal of Contemporary Religion, 1-19. https://doi.org/10.1080/13537903.2024.2347048
[65]. Timmons, W. (2024, July). Associations between body awareness, body trauma and joint hypermobility in the context of dance. In Medical Problems of Performing Artists: 42nd Performing Arts Medicine Symposium.
[66]. Jin, J., & Martin, R. (2019). Exploring the past to navigate the future: examining histories of higher dance education in China in an internationalized context. Research in Dance Education, 20(2), 225-240.